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Herman Miller Asia Pacific

What inspires us and what we hope will inspire you and all the members of the Herman Miller community.

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Australia | Eames | Events | Film3. May 2012 11:29

Eames documentary to premier in Melbourne

by Herman Miller Asia Pacific

It's Australia's turn! We're excited to announce that Eames: The Architect and the Painter is premiering at The Australian Centre for Moving Image (ACMI) in Federation Square this Tuesday 8th May. We are partnering with Living Edge to give away a limited edition framed set of Eames Stamps as a prize in honour of the films Australian premier. The film will screen from the 1st - 17th June 2012 and as an added bonus for filmgoers, Living Edge is running a special promotion, which will give patrons a 15% discount off their furniture. It's a film any design lover will enjoy, giving an in-depth look into the minds of two of mid century modernism's greatest heroes. And with the added benefit of purchasing your very own Eames piece at a discounted price after the film, it's an opportunity not to be missed. For session times and more details see the ACMI website. Here's the trailer to whet your appetite...

Art | Australia19. April 2012 06:00

Slashies... be inspired

by Herman Miller Asia Pacific


We like the concept of the website Slashies, a web series of videos devoted to telling the stories of passionate creative Australians who have the courage to follow their dreams. The name derives from the multiple careers/creative avenues each person pursues in the making of their dream. So you will find the fabulous graphic designer/paper engineer Benja Harney (below) and his wonderful paper creations, the intricate and colourful murals and artworks of fashion designer/street artist Shannon Crees (above) and the stunning surf photography of graphic designer/surfer/photographer Eugene Tan, with more people being added all the time. Each video offers a glimpse into each creatives life and how they juggled their various roles to triumph in ultimately pursuing the one they love the most. Inspiring stuff indeed for anyone who's ever aspired to be a slashie themselves, a common theme amongst creatives. We'll aim to bring you a little more on some of the people we admired most... stay tuned.

Posted by Lauren Evans

Australia | Environment15. March 2012 09:00

GreenTag gets the ACCC tick

by Herman Miller Asia Pacific


We are thrilled that GreenTag®, the third party, green building product rating and certification system that Herman Miller's leading products have been certified by, has now been accredited by the Australian Consumer and Competition Commission (ACCC). This accreditation gives the scheme the highest form of independent recognition possible, putting it in the company of other ACCC accredited logos such as WOOLMARK and the Heart Foundation Tick (which will need no explanation to our Australian readers particularly).

It's wonderful news that an eco-certification scheme has been formally recognised by the ACCC and enables consumers and specifiers to have complete trust in any products certified with the GreenTag®. It's an important step forward towards a more sustainable future that we're very pleased to be associated with. Check out our website for the full listing of Green Tag certified products.

Posted by Lauren Evans

Art | Australia | Exhibitions13. March 2012 09:00

Christina Waterson Exhibition 'Trace'

by Herman Miller Asia Pacific


We have always admired the work of Australian artist Christina Waterson, whose sculptural pieces reflect her background in architecture and design. So naturally we are very keen to get to her latest exhibition Trace which opens in Melbourne's Pin-Up Gallery this week (15 March - 12 May, 2012). Waterson has recently completed a Winston Churchill Fellowship exploring the origins of patterns and their connection to traditional craft, design and architecture whilst travelling throughout Japan, China and Turkey. This latest exhibition is a response to her research experience and features pieces in rubber, leather and felt that embody "a 3-dimensional ‘trace’, sketch or echo of past trajectories." A preview of two pieces to be exhibited, above and below.

If you're not familiar with Waterson's work check out her website and her tracepattern blog, which lovingly documents her fellowship research.

Posted by Lauren Evans

Art | Australia | Exhibitions28. February 2012 06:00

Herman Miller looks at: Brisbane's Gallery of Modern Art

by Herman Miller Asia Pacific


Brisbane's Gallery of Modern Art compliments the Queensland Art Gallery building and opened in 2006 to architectural acclaim, it really is quite a magnificent building as you can see from the exterior photo above. The Gallery of Modern Art exhibits art of the twentieth and twenty-first centuries and it's flagship project is the Asia-Pacific Triennial of Contemporary Art. It is the only major series of exhibitions in the world to focus exclusively on the contemporary art of Asia, the Pacific and Australia and the 2012/13 Triennial will mark the 20th anniversary, being the seventh Asia Pacific Trieinnial the gallery has held. This has led to the establishment of The Australian Centre of Asia Pacific Art (ACAPA) which is the research base of the triennial and an invaluable resource for scholars and artists interested in studying Asian Pacific art.

The gallery has a vast collection of Australian, International and Asian works which are continually updated. They run a fantastic Children's Art Centre and Cinémathèque that shows the work of significant international, Asian, Pacific, Australian and Indigenous Australian artists. See their website for more details.  


(above) Zhu Weibing, Ji Wenyu | People holding flowers (installation detail) 2007 | The Kenneth and Yasuko Myer Collection of Contemporary Asian Art.

Australia | Designers | Furniture | Interview22. November 2011 09:00

Herman Miller talks to: Norman and Quaine

by Herman Miller Asia Pacific

Norman + Quaine are true pioneers of Australian design. Since they began to work together in 1989, Katherine Norman and Caroline Quaine have paved the way for today's generation of designers. They designed a furniture range that developed a loyal following by interior designers and architects and along the way defined Australian style. They did this at a time when Australian design was a relatively new concept and the industry was a male dominated one. Their furniture is intelligent, playful and beautifully detailed with nostalgic references to the past and has featured in many a design magazine interior. However what is less known about N+ Q is their multi-disciplinary approach to design and the interiors, events and advertising they have designed and directed. Their long-association with Living Edge is testament to this as they were responsible for all showroom interiors, advertising and photographic shoots during their time there. More recently they've tuned their talents to 'upcycling' by taking old pieces of furniture and giving them the Norman and Quaine treatment, with delightful results. Norman + Quaine tend to quietly get on with things, so you may not have heard all that much about them - they don't tend to blow their own trumpet so to speak. That's why we're thrilled to bring you our interview with Kath Norman and shed a little more light on their creative and enduring partnership.


(above) Grace, a stallwart of the Norman + Quaine range

How did you come together as Norman and Quaine, can you tell us the story?
Caroline and I first met In 1984 working for the American based company Mitchell Giurgola + Thorpe architects on the New Parliament House project in Canberra. Our work involved designing the custom furniture for the building-we formed part of a team of four.  Our involvement with this project lead to a wide variety of contracts within the industry including manufacturers, some of which we would secure longstanding relationships(with) in the future years. After traveling abroad and working for architects and designers, Norman +Quaine was established in 1989 in a shared studio in Surry Hills Sydney working alongside architects and interior designers. In 1993 we relocated to  a Surry Hills warehouse/ showroom to showcase our designs as Norman + Quaine.


(above) Oliver Lounge

What changes have you noticed in the design industry in Australia since you began?
It's hard to talk of the design industry in the past 25- 30 years we have been involved, after all design stretches back for centuries and there is always change. As with many industries the design industry responds to the political, economic, environmental, and social fabric of the times. The Australian design industry has expanded with the advent of accessibility to travel and international projects, media and sophisticated communication technologies. In the past Australian designers looked towards European and US furniture and design. When we first started there were only a handful of Australian furniture designers emerging. The growth and acceptance of the new face of Australian product design with manufacturers, the design community, suppliers and retailers is a credit to our industry.


(above) Louie, the newest addition to the N+Q range

You strive to produce Norman and Quaine products in Australia, has this become more difficult with an increase in offshore production?
N+Q maintain our belief in supporting local manufacture in the country or region to whom we are selling. This remains our goal, however, if change is required to maintain the quality we require we would review our manufacture policy. Currently we manufacture in Sydney and regional NSW for the Australian market and China for the Asian/Pacific region.

Do you each have a personal favourite, in the Norman + Quaine furniture range?
The Demille Chair (see below) is one of our favorites and comfortably fits in to both commercial and domestic interiors. The combination of the elegant timber frame with the contrasting chunky seam detailing and scale of the upholstered seat are very compatible. The expressed finger-jointing to the arm adds a beautiful detail. Comfortable and classic!


As well as your furniture range, the Norman and Quaine philosophy has been applied to interiors, exhibitions, advertising and styling. What ties it all together?

Our combined skills in interior and industrial design, allows us to delve in to all areas of design. It is a natural progression for us to expand into other areas of design (other than furniture). For us trying to adhere to a budget whilst producing exciting and stimulating visuals is always a challenge.


(above and below) One of each from a series of ads created for Living Edge, creative direction by Norman + Quaine


Recently you have begun working with vintage pieces, giving them a new life through restoration and combining old elements with new. Can you tell us what inspired this side of the business?

Norman +Quaine have always been interested in vintage pieces – a lot of our designs utilise the proportions of a bygone era. So it comes naturally to us to produce the combination of old with new - revitalising + recreating.

In a world which is ostensibly dependent on mass production, these individual pieces become collectors items and personalize the home.


(above) Edwardian Tea Trolley


Without revealing too many secrets, where do you find your treasures and what’s been your most exciting find?
Auctionhouses mainly, sometimes discards on the side of the road, they are usually not treasures in totality but in part can be reused as part of a table top or base for example. Our latest coffee table we love – an old tiled top incorporated with timber slats and metals base (see below).

What are you most proud of?
I guess we are proud to have had the architectural and interior designers embrace our furniture in lieu of imported product, which has allowed our business to flourish for 20 years.

Who are your design heroes?
Any designer/creator who has pushed the boundaries which existed in their time, and succeeded.


(above) Stool/side table

What inspires you?
A design solution which is so rational, so simple but immensely clever and effective.
OR a fabulous market !

How do you want your work to be remembered?
To be amongst the first few to design and produce Australian furniture in a European dominated market and to still be in business 20 years later.

Visit the Norman and Quaine website normanquaine.com.au for more information.

Posted by Lauren Evans

Australia | Exhibitions14. November 2011 06:00

Broached Colonial Exhibition

by Herman Miller Asia Pacific


The Broached Colonial Exhibition piqued our interest for its original and historically focused brief. Six contemporary designers (five Austraian and one British) were asked to design a piece of furniture, informed and inspired by research into Australia's Colonial period. For example Adam Goodrum's reponse is The Birdsmouth Table (above) inspired by the Birdsmouth Mast on ships crucial to colonial empires. Whereas Trent Jansen was moved by researching the marriage of a colonial man to an aboriginal woman and the blended family they created, through his Briggs Family Tea Service. The resulting six limited edition pieces are as diverse as they are bespoke and include a table, lighting, tallboy and sandstone furniture. The exhibition runs in Sydney until November 20th, see the Broached Commissions website for more information.

Architecture | Australia8. November 2011 09:00

Annalisa Capurro's beautiful home

by Herman Miller Asia Pacific


Thank you to the Design Files blog, for taking us through the Sydney home of interior deigner and educator Annalisa Capurro. The house was deigned and built in 1956 by Russell Jack of renowned architectural firm Allen, Jack and Cottier as his home and has been preserved beautifully. We loved learning of Jack's interogation process before selling his house to Capurro and can see exactly why she passed with flying colours. We swooned over her collection of mid-century modern design including quite a few Herman Miller pieces, this shot of the Eames moulded plywood lounge (above) is our favourite.

See the full design files article here.

Australia | Herman Miller3. November 2011 13:40

Defending authenticity - a recent victory

by Herman Miller Asia Pacific

Herman Miller has collaborated with designers for over 100 years to create products that solve real problems and carry with them a unique design legacy. Unfortunately we face an ongoing battle with those that seek to trade on that legacy and the hard work, innovation and dedication of all the people involved in bringing a product to market. We'd like to share with you a recent victory in our ongoing battle to defend authentic design - click here and download the pdf to read the full story.

Art | Australia | Exhibitions | Japan20. October 2011 09:00

Tokujin Yoshioka: Waterfall

by Herman Miller Asia Pacific

Check out the spectacular installation at the Sherman Contemporary Art Foundation in Sydney at the moment by Japanese designer Tokujin Yoshioka. Waterfall comprises of two exquisite tables made from optical glass and approximately 500,000 translucent drinking straws all of which draw on light to complete the installation. Yoshioka established his design studio in 2000 after a ten year working relationship with Issey Miyake. His client list includes names such as Kartell, Moroso and Swarovski. Waterfall runs until December 17th, 2011.

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