As the Asian Pacific member of the Herman Miller blog family, we thought it might be interesting to explore some of the local graphic design that was generated at about the same time as a lot of the classic furniture pieces in our collection. So if you’re looking for a modernist poster to go with your Eames rocker or just a little bit of history while you have a cup of tea, enjoy our first profile on Japanese designer Yusaku Kamekura.
Yusaku Kamekura (1915-1997)
Yusaku Kamekura has been described as the father of Japanese graphic design. He was a true pioneer of the industry in Japan, establishing a number of design associations, exhibitions and centres, bringing graphic design to the attention of the general public and establishing Japan as a world leader in post-war design. Yusaku learnt his craft at the Institute of New Architecture and Industrial Arts, Tokyo and was heavily influenced by Bauhaus design theories and the principles of constructivism. He is probably best known worldwide for his posters for the 1964 Tokyo Olympic games. What unifies his work is “ its dynamic composition, technical expertise and visual inventiveness, making full use of photography, colour and geometric elements” (ref. http://yusakukamekura.blogspot.com/). Below is a selection of our favourite pieces from Kamekura’s portfolio, enjoy.
(above) Ad for Toyo Rayon fiber co. 1950 [courtesy Grain Edit]
(above) Paul Rand: His work from 1946 - 1958. [courtesy Grain Edit]
(above) Nikon, 1954 [courtesy pink tentacle]
(above) Nikon Mikron Binoculars, 1955 [courtesy pink tentacle]
(above) Graphic '55 Exhibition, 1955 [courtesy pink tentacle]
(above) Atomic Energy for Peaceful Industry, 1956 [courtesy pink tentacle]
(above) Rayon and Synthetic Fibers of Japan, 1962 [courtesy pink tentacle]
(above) Tokyo Olympics poster, 1964 [courtesy pink tentacle]
To read more about Yasuku Kamekura, check out;
http://yusakukamekura.blogspot.com/
http://pinktentacle.com/2010/03/yusaku-kamekura-posters/